MOOV-ET

[[fishtank|fishtank1]]. [[fishtank|fishtank2]]. reception desk. you see a [[woman with big hands|receptionist]] tapping at a keyboard. there's the [[outside|OutsideDoor]](that's where you came from). [[door with frosted glass panels|Corridor1]] leads to corridor space with fuzzy people shapes circulating. you have a [[clipboard]] which allows you to be taken more seriously than you would otherwise be.

big ceiling tiles. carpet tiles too. tiles tiles tiles. [[someone|CorridorPerson]] passes you and looks at you expectantly. must be your clipboard. tap tap tap. [[door to the lobby|Lobby]] behind you. [[more corridor|Corridor2]] in front. [[door|MainOffice]] to your side. [[noticeboard|noticeboard1]] on the wall.

tropical fish swimming back and forth. small rocks. rock. rock. rock.

snails on the glass. you wonder how they got here.

office rules * Only use the MOOV-ET when you get time on it. * Only do the things that the government asks you to do. * Fill out all of the paperwork. * Don’t leave food around because we have a bug problem in the office.

more tiles more tiles [[a painting of a fighter jet|Painting1]]. you see a [[sliding door with a card reader|SlidingDoor]] to your right. a [[grey-painted door|Corridor3]] at the end of the corridor. you can also walk back [[toward the entrance|Corridor1]].

tiles in here too, bigtime, but they look so funny next to the big mahogany desk. covered with papers! you see a [[big man]] behind the desk. he's going to know what's up. he has to.

ah, are you here from the government? [[I suppose so|CorridorPerson2]]

the painting isn't very good. the lines are okay but the composition is bad. you wonder who on the staff chose it to be there. was someone paid to do this? to choose the paintings? you think you'd do a better job.

big big big room. high up ceiling tiles. lots of desks and chairs and lights. [[pod|Pod1]] [[pod|Pod2]] [[pod|Pod3]] off to one side, people are in them behind the frosted glass. [[bored looking woman|Opal1]] sits at a desk over across the room. [[printer|Printer1]] in the corner. [[desk|Desk1]] near you covered in papers. behind you is the [[sliding door|Corridor2]] you came in by.

wow, you love your clipboard! it's got some good forms [[SW-50102]] [[MOOV-ET R-1A]] [[MOOV-ET R1A-ENQ]] [[go back to looking at things in the|Lobby]]

the guy in this pod has an overly enthusiastic vibe and a baseball cap that says WE-MOOV. you don't suppose he's got very much to say. the main office is behind a [[frosted glass door with a poster of a snake on it|Office1]]

nobody in this one. quiet. there's a [[workstation|workstation1]] set up with a big puffy pair of [[headphones]] wired into it. on the desk there's no papers but there is a [[little blue gonk]]. the main office is behind a [[frosted glass door|Office1]]

this pod is a bit bigger than the others, but doesn't feel that way as it's crammed with 2 desks. both have people sat at them, who turn to face you as you walk in. there's a [[monk looking guy]] and a [[lanky skater girl]]. you see a [[collection of pens]] in a jar but it's a little too cramped here to pocket one. the main office is behind a [[frosted glass door|Office1]]

what? (the bored looking woman is now an annoyed looking woman. perhaps this was a mistake) [[hi, do you have a moment to talk about ~indeciperhable legal code~|Opal2]]

the printer is printing a copy of MOOV-ET R-1A, which you conveniently have on your clipboard. thank god, even the typeface is correct.

you are in the presence of a greater diversity of bureacracy than you had hitherto considered possible. look at all these forms!! [[MOOV-EVAL-1A]] [[M-178-RRQ]] [[M-178-RRQ]] [[MOOV-EVAL-INC-15]]. what even are all these forms? what are they for? you pick up a pristine [[FORM-343-G]] and slide it into your clipboard. (set: $hasartform to True) [[go back to looking around|Office1]]

people!!! everywhere!!! better go back [[inside|Lobby]]

<div class="form"> <b>MOOV-ET R-1A-ENQ ENQUIRY FORM FOR SURVEYANCE OF PROPOSED AREA</b> VERSION 5, 02/14/25 NOTE: R-1A-ENQ is supplementary to the R-1A. Please submit together, attached using a paperclip, with the R-1A on top. Supplementary drawings may be attached beneath this document, provided you record the reference numbers below. Stapled documents will be automatically rejected. <b>SECTION 1: REQUEST DETAILS</b> 1.1 Approximate location of site (to at least 00"00'10) -- broader enquiries are not permissible at this time. 1.2 Describe in as much detail as possible the features of the site. What features must be included as compulsory in the request? Are there any objects that must remain untouched? Where possible, please detail the approximate locations. 1.3 Please list the file standards used by your department such that we can complete your request in the correct format. 1.4 Any additional information: 1.5 Please list reference numbers for any attached documents: </div> [[...|clipboard]]

<div class="form"> <b>SW-50102 STAFF WELFARE AND ENRICHMENT ACTIVITY FUNDING APPLICATION</b> <b>PLEASE NOTE:</b> use of the MOOV-ET within recreational events is strictly prohibited, and all requests involving its use will be denied. VERSION 5, 02/14/25 <b>SECTION 1: ABOUT YOU</b> 1.1 Full Name of Applicant: 1.2 Applicant Payroll Number: 1.3 Applicant Department: 1.4 Applicant Line Manager: 1.5 Departmental budget code: <b>SECTION 2: EVENT SUMMARY</b> 1.6 Estimated total cost (full cost breakdown to be given in section 3): 1.7 Proposed event title: 1.8 Please briefly describe the activity or event you are applying for funding to support: </div> [[...|SW-50102-2]]

<div class="form"> <b>MOOV-ET R-1A COMBINED APPLICATION AND RISK ASSESSMENT FOR SEGMENTED INTERVENTION (SEG-MIN)</b> VERSION 5, 03/21/25 <b>SECTION 1: ABOUT YOU</b> 1.1 Full Name of Applicant: 1.2 Unique 16-digit MOOV-ET System ID (if known), should begin MVA003: 1.3 Applicant Department (if core personnel, leave blank): 1.4 Applicant Clearance Level 1.5 Applicant Line Manager (required for clearance level 4 or below): 1.6 Budget code for MOOV-ET request: 1.7 Any additional information: </div> [[...|R-1A-2]]

monk looking guy is eyes fixed on his screen. he looks interesting to talk to but hard to disturb. you try a small smile but he's not having it.

do you want some gum? [[no, but thankyou|Pod3]]

[[hello?|bigman1]]

the big man adjusts his glasses. hi, are you here from the government? [[yes|bigman2]]

pleasure to meet you. As you probably know, I am Leonardo Monstroni, departmental managed and head of Exotic Research. I believe you are here to carry out some kind of inspection? (Mr. Monstroni squints at your badge) [[you give him your best encouraging smile|bigman3]]

that's no surprise. well-- I hope that you'll find everything in order. I'm afraid I'm very busy this morning, or I'd give you a tour myself. did they give you a special access keycard at the desk? [[you shake your head|bigman5]]

here, this should get you most places you'll need to assess - (Mr. Monstroni passes you a shiny blue-and-grey card with the ugly MOOV-ET logo on it. the name on the card says Contractor) (set: $haskeycard to True) [[you show yourself out|Corridor1]]

(if: $haskeycard is true)[ you swipe the card Monstroni gave you, and the door opens. [[you enter|Office1]] ] (else:)[ you try out the id card they gave you at the front desk but it beeps uselessly on the scanner. perhaps you need to go bother someone who's in charge. ]

not really, no. who sent you? [[Mr. Monstroni did|Opal3]]

<div class="form"> <b>MOOVED ITEM REPORT:</b> Version 12, 07/12/2024 <b>SECTION 1: SUMMARY </b> DATE: ________________ NAME: _______________ OFFICE LOCATION: _______________ DEPARTMENT: __________________ ITEM TO MOOV: ________________ ITEM LOCATION (COORDINATES): _______________ ITEM SIZE (ESTIMATE): ________________ ITEM WEIGHT (ESTIMATE): _______________ ITEM OWNER (IF ANY): ________________ ITEM LOCATION AFTER MOOV (COORDINATES): _____________ PROPOSED LOCATION FOR LONG-TERM STORAGE: ____________ EXPLAIN WHY YOU CHOSE THIS LOCATION (500 WORDS OR LESS PLEASE): <b>SECTION 2: ITEM INFORMATION: </b> HOW DID YOU HEAR ABOUT THIS ITEM (500 WORDS OR LESS PLEASE): RATIONALE FOR MOOVING ITEM (MUST INCLUDE REFERENCES TO ENHANCED NATIONAL SECURITY): IS ITEM DELICATE? Y/N IS ITEM ANCIENT (over 1000 years old)? Y/N If YES: HOW OLD? ____________ WHO MADE/BUILT? ____________ IS IT CULTURALLY IMPORTANT? _____________ TO WHO?__________ IS IT RELIGIOUSLY IMPORTANT? TO WHO?__________ IS ITEM CONSIDERED DANGEROUS? Y/N IF YES: IS ITEM FLAMMABLE? Y/N IS ITEM SHARP? Y/N IS ITEM RADIOACTIVE? Y/N IS ITEM BIOHAZARDOUS? Y/N IS ITEM EXPLOSIVE? Y/N WAS MOOV SUCCESSFUL? Y/N IF NO: WHY NOT? ____________ IF NO, PLEASE ATTACH AS AN APPENDIX A MOOV-EVAL-INC-15 INCIDENT REPORT FORM </form> [[...|Desk1]]

<div class="form"> <b>MOOV-ET M-178-RRQ AREA RESEARCH REQUEST FORM</b> VERSION 5, 03/21/25 Please note this is a form to request research into an under-known region. For refinement of MOOV requests to a known object or region, please instead submit a MOOV-ET R1A-ENQ form as a supplement to a standard MOOV-ET R-1A. <b>SECTION 1: ABOUT YOU</b> 1.1 Full Name of Applicant: 1.2 Unique 16-digit MOOV-ET System ID (if known), should begin MVA003: 1.3 Applicant Department (if core personnel, leave blank): 1.4 Applicant Clearance Level 1.5 Applicant Line Manager (required for clearance level 4 or below): 1.6 Budget code for MOOV-ET request: 1.7 Any additional information: </div> [[...|RRQ-2]]

<div class="form"> <b>MOOV INCIDENT SUPPLEMENTARY EVALUATION FORM MOOV-EVAL-INC-15</b> MOOV Incident Reporting To be completed by the Local MOOV Operations Manager. Please use this form to report any actual or potential breaches of the MOOV Responsibility Act or to update previous reports. When describing the incident, do not list actual examples as this may constitute a further incident or breach. Please submit as attached to MOOV-EVAL-1A <b>SECTION 1: YOUR DETAILS</b> 1.1 Name: 1.2 Role / Team: 1.3 Line Manager: 1.4 Date: <b>SECTION 2: THE INCIDENT</b> 2.1 Date and time of incident 2.2 Location of incident 2.3 URN (if updating a previous report) 2.4 Type of incident (please select any that apply) <ul> <li>Loss or theft of MOOV-ed object Y/N</li> <li>Loss of access to information (e.g. MOOV-ed to territory outside of control) Y/N</li> <li>Inappropriate / uncontrolled relocation of MOOV-ed object (e.g. accessible to those without a national security need or used for a purpose it was not MOOV-ed for) Y/N</li> <li>Damage to / corruption of MOOV-ed object (e.g. disintegration, water damage) Y/N</li> <li>Significant or unprecedented harms to originating region (refer to MOOV-REG handbook 1.1 for summary of acceptable vs unacceptable harms) Y/N</li> </ul> 2.5 Description of the incident (what happened, what went wrong, how it was discovered) </div> [[...|MOOV-EVAL-2]]

<div class="form"> <b>PUBLIC ARTWORK PROPOSALS/ACQUISITIONS FORM</b> As of 2022, MOOV-et UK offices are no longer a subsidiary of the Ministry of Defense, and instead managed through a public private partnership with SERCO. Due to SERCO's commitment to upholding employee welfare, limited access has been maintained to the governmental Art Loans program: employees wishing to request artwork for their offices may do so via this form. <b>SECTION 1: ABOUT YOUR APPLICATION</b> 1.1 Name: ___________________________ 1.2 Role / Team: ___________________________ 1.3 Line Manager: ___________________________ 1.4 Date: ___________________________ 1.5 Proposed artwork location (list room number, describe proposed location in room) ___________________________ 1.6 Are you proposing to... A) Request a new artwork for your department (skip section 2) Y/N B) Replace an existing artwork in your department (fill out 2 and 3) Y/N C) Remove an artwork from your department without replacement (skip section 3) Y/N <b>SECTION 2: REMOVE OR REPLACE ARTWORK</b> 2.1 In what room is the artwork you wish to remove/replace located? ___________________________ 2.2 What are your reasons for dissatisfaction with the existing artwork? Are they formal? Compositional? Please list in as much detail as possible for our curatorial team. 2.3 Have you sought consultation from other users of this room as to their relationship to the artwork? Please detail their responses here. </div> [[...|343-G-2]]

it worked. nice. the screen is filled with some swooping kind of psychadelic shapes. they make you feel a bit sick and uncertain. you try tapping the keys again, the shapes change but in a way that makes you feel worse. quite enough of that. [[you tap some more and close the screen.|workstation3]]

~ zub zub zub zub ~ you don't recognise the music. it's not exactly what you'd listen to, but it's not bad either...

it's wearing a t-shirt that says I'M TRADING THE SOCK MARKET.

yet more tiles. wow. they must have put so many in this building. there's [[two men talking|conv]] to each other in an alcove. that's fine, they don't mind you. there's another [[grey door]] down the end of the corridor, plus the [[door you came in by|Corridor2]] behind you

(you looking intently at the [[photo tryptich of an Armenian church|church]] on the wall so as to pretend not to listen) [[...|conv1]]

this one is a lot better than the other paintings you've seen. you like the angle of the photographs. there's a [[label]] off to the side.

she is chewing gum and has long nails clack clack clack she does not want to talk to you this much is clear that's okay you don't want to talk to her either

oh well... [[you avert your eyes|Corridor1]]

did you see that brain chip video that pete sent to the chat? what like, the one with the guy? yeah so weird. yeah, like, the monkeys and the speakers and stuff. I don't know guess it's kind of interesting. I mean right they're doing some real research over there. wish they'd let us do stuff like that. bet they don't need to fill out all those forms... [[...|conv3]]

...and we're just getting totally rocked by the ICILC at the moment. can't do anything. yeah, it's mad isn't it. all the gear and no idea. can't stand those guys. haha, yeah [[...|conv2]]

I mean they probably still do have to. like probably loads of them. yeah... probably some crazy ones actually... like yeah, can you imagine, application to get a monkey to... [[...|conv4]]

the men wander off, still talking, recounting new form ideas to each other. they don't really look at you. they go through the [[grey door]] at the end of the corridor, leaving it slightly ajar. you're still standing next to [[the alcove|Corridor3]] (set: $doorajar to true)

(if: $doorajar is true)[ you slip quietly through the open door after the men [[...|Corridor4]] ] (else:)[ you try the handle of the door, but it's locked. oh no. did the men see? don't think so. better [[sneak back|Corridor3]]. ]

photograph by Frederick Arne, MOOV-ET Employee Number MVA003-2619, taken in Hyde Park, June-Nov 2024. ANS Reference: MV-26182-LDN-228 (set:$seenchurch to true) [[gosh, beautiful|conv]]

felt tips!! there's a pink one in here too. whoever collected these knew what they were doing.

<div class="form"> <b>SECTION 2: ABOUT THE PROPOSED INTERVENTION</b> 2.1 Detailed description of entity required for MOOV-ET intervention (<500 words): 2.2 Reason for requesting MOOV-ET intervention (<500 words): 2.3 Please rate out of 10 the likelihood that the entity requested for intervention will contain the following: <ul> <li>Living people (if likelihood >5 fill in Appendix 1)</li> <li>Animals, plants</li> <li>Matter requiring refrigeration</li> <li>Delicate masonry or stonework (if likelihood >5 fill in Appendix 2)</li> <li>Historic Artefacts (if likelihood >5 please fill in Appendix 3)</li> <li>Class A, B or C drugs (if likelihood >5 please fill in Appendix 4)</li> <li>Flammable chemicals in volumes exceeding safe limits, as defined in the chemicals matrix (see attached booklet, ‘hazardous chemicals’ chapter)</li> <li>Weapons (see attached booklet, ‘munitions’ chapter)</li> <li>Radioactive material (if likelihood > 0, you must consult with a nuclear materials specialist and fill in a MOOV-ET R-3 with their signature, attach to this form)</li> </ul> 2.4 Please describe any further qualities of the area designated for intervention that may require special handling or attention </div> [[...|R-1A-3]]

<div class="form"> <b>SECTION 3: TECHNICAL DETAILS</b> 3.1 Please provide the precise latitude and longitude of each vertex of your requested segment. In the event that these are not known to within 00”00’01, please instead fill in the MOOV-ET R1A-ENQ enquiry form to consult our specialists. Note that the turnaround on A-ENQ forms is slow due to a high volume of requests. 3.2 Please write a short description detailing adjoining matter -- e.g. foundations, attached buildings. What attempts have been made to mitigate the impact on the surrounding environment? 3.3 Please list in order of preference (where 1 is most preferred, and 5 is least preferred) the MOOV-ET transport location you would like this entity to be stored at. A full list of possible storage locations is available (if you are filling in Appendix 3 or 4 you may skip this section) </div> [[...|clipboard]]

<div class="form"> <b>STAFF WELFARE AND ENRICHMENT ACTIVITY FUNDING APPLICATION</b> VERSION 5, 02/14/25 <b>SECTION 3: DETAILED EVENT INFORMATION</b> 2.0 Please provide a detailed breakdown of estimated costs for your event. Where appropriate, travel must be booked through our supplier KeyTravel, using the KT-606 form available in the main staff office. 2.1 Provide a brief description of benefits in terms of staff welfare, engagement or development: 2.2 Please select which guiding principle of the MOOV-ET strategy (below) your application most closely corresponds with, you may select more than one option <ol> <li></li> <li></li> <li></li> </ol> 2.3 Estimated number of staff that will benefit: 2.4 Any other information: <b>APPENDIX</b> <b>MOOV-ET strategy: the world needs movement</b> <ol> <li>to provide our clients with a world-changing service in a changing world</li> <li>to promote excellence in our work at home and abroad</li> <li>to change our world through increased positive contribution and better productivity</li> </ol> </div> [[...|clipboard]]

gosh they really like their corridors in here, don't they. this one's a bit dingy, which is a shame. down one end there's a [[window]] but it's not doing very much. to the side are lots of offices. the men just went into one to your left. futher down the hall, one [[office door]] has a [[sign on it]]

you can see a wall. nice.

(if: $hasreadsign is true)[ you knock gently, and the door swings open onto a [[small room|frederick]] ] (else:)[ you're concerned you might disturb the person inside. perhaps you need to [[think for a second|Corridor4]] ]

<div class="sign"> <b>Office PR-4510-B ~ Dr. Frederick Arne</b> I appreciate visitors, but please knock before you enter. </div> (set: $hasreadsign to true)

<div class="form"> <b>MOOV INCIDENT SUPPLEMENTARY EVALUATION FORM MOOV-EVAL-INC-15</b> <b>SECTION 2 CTD</b> 2.6 If a staff member is involved in the incident, please confirm if they have received MOOV training in the past 2 years 2.7 Have you contacted anyone else in relation to this incident? Please list them <b>SECTION 3: AFFECTED PARTIES</b> 3.1 Type of people affected (please select all that apply) <li>Staff (direct) Y/N</li> <li>Staff (contract) Y/N</li> <li>Visitor Y/N</li> <li>Children (if Yes, please state age) Y/N</li> <li>Vulnerable adults Y/N</li> <li>Other Y/N</li> <li>Additional description of people affected /</li> 3.2 Number of people affected ______________ 3.3 Are the people affected aware that the incident is MOOV-related? 3.4 Please describe the possible impact or consequences on the people affected and if there has been any actual harm to individuals 3.5 Is it possible the people affected could be emotionally distressed by the incident? Please describe how, and the likelihood (v likely,likely, neutral, unlikely, v unlikely, not yet known) </div> [[...|Desk1]]

<div class="form"> <b>PUBLIC ARTWORK PROPOSALS/ACQUISITIONS FORM</b> <b>SECTION 3: REQUEST FOR A NEW ARTWORK</b> 3.1 Do you have a specific artwork in the Government Collections in mind? Y/N if YES please continue to 2A if NO please skip to Section 2B <b>3A: KNOWN ARTWORK</b> 3.2 Please detail the collection number, artist and date of the requested artwork 3.3 If this artwork is unavailable, would you be satisfied with a similar replacement? Please outline required similarities if so <b>3B: RECOMMENDED ARTWORK</b> 3.4 Please describe, in as much detail as possible, the qualities you are looking for in your new artwork. These can be formal, compositional, colour related or other. You may list related works for reference. 3.5 Are there any features or subjects that would not be acceptable in your desired artwork? Please list them. </div> [[...|Desk1]]

<div class="form"> <b>MOOV-ET M-178-RRQ AREA RESEARCH REQUEST FORM</b> <b>SECTION 2: AREA TO BE RESEARCHED</b> 2.1 Please describe the geographical location and size (in HA) of the requested research area: 2.2 Please reference any existing research into this area you are aware of. For each listed research item, please outline why this is insufficient for your current query. <b>SECTION 3: NATURE OF THE RESEARCH</b> 3.1 What is the primary disciplinary strategy that you believe is most suited to this research? You may select more than one. <ul> <li>Anthropological Y/N</li> <li>Geographical (physical features) Y/N</li> <li>Sociological Y/N</li> <li>Geological Y/N</li> <li>Other (please specify) _____________________ </li> <li>Speculative/Unknown </li> </ul> 3.2 (if answering Speculative/Unknown to 3.1) Please describe in detail your proposed research methodology. 3.3 In as much detail as possible, please summarise the research question you are hoping to address about this region. For a template of a successful RRQ, please see reference document [MOOV-RRQ URN: 18r478yg23f, "Request for political analysis of cartel dynamics in the Sonora Border region"]. </div> [[...|RRQ-3]]

<div class="form"> <b>MOOV-ET M-178-RRQ AREA RESEARCH REQUEST FORM</b> <b>SECTION 4: REASONS FOR RESEARCH</b> 4.1 Is the reason for this application related primarily to (you may select more than one option): <ul> <li>National Security Y/N</li> <li>Business Interests Y/N</li> <li>Natural Resource Strategy Y/N</li> <li>Academic Research Interest Y/N</li> <li>Diplomatic Relations Y/N</li> <li>Other (please specify) _____________________ </li> </ul> 4.2 Please select which guiding principle of the MOOV-ET strategy (below) your application most closely corresponds with, you may select more than one option <ol> <li></li> <li></li> <li></li> </ol> 4.3 Please list any additional detail as to why this meets your chosen MOOV-ET strategy principle(s) <b>APPENDIX</b> <b>MOOV-ET strategy: the world needs movement</b> <ol> <li>to provide our clients with a world-changing service in a changing world</li> <li>to promote excellence in our work at home and abroad</li> <li>to change our world through increased positive contribution and better productivity</li> </ol> </div> [[...|Desk1]]

this room is small and warmly lit. there is a man with a beard behind a desk. [[hello!|frederick1]]

hm, haven't even heard of you guys... more rules every day... not to say we don't appreciate the oversight of course. presumably you're not going to tell me what you're actually here to inspect? [[you nod|bigman4]]

hello, are you from the government? [[maybe?|frederick2]]

what a pleasure. you'd better take a seat. My name is Frederick Arne. I work on archival research here at MOOV-et. (if: $seenchurch is true)[ [[oh, you took the picture of the armenian church!|churchstory]] ] [[what's archival research?|frederick3]]

oh, yes I did -- did you like it? [[yes, very much!|churchstory2]] [[hm, I could take it or leave it|frederick4]]

I spend time with the artefacts that are circulated here by members of the facility, and try to situate them historically. It's endless and fascinating work -- each artefact alone contains a world and wealth of relations. [[you nod and look impressed|frederick4]]

well, nice to meet you anyway. I hope you have a pleasant visit -- I should probably be be getting on. (if: $beetroot is true)[I've just had reports in of a moving beetroot field in Georgia, I'll be needing to spend the day researching the history of farming in the region to understand the context.] [[you smile, and show yourself out|Corridor4]]

that's so nice to hear. actually -- well I //am// rather busy this morning (if: $beetroot is true)[ ...I've just had reports in of a moving beetroot field in Georgia... ]but for this once I'd really like to show you something. Do you have a minute? it's not so far. [[yes! show me!|churchstory3]] [[hm, I'd better get on|frederick6]]

what is the nature of your visit? (if: $hasartform is true)[ [[I'm here to inspect the paintings and suggest curatorial alternatives|paintingstory]] ] (else:)[ [[er.....|frederick5]] ]

oh, that's so interesting! you know, I was thinking about changing some of the art in here. are you the right person to talk to? [[I suppose so. Here, take this -- |paintingstory2]]

well, nice to meet you anyway. (if: $beetroot is true)[Probably just as well -- looks like I'll be needing to spend the morning researching the history of Georgian farming.] [[you smile, and show yourself out|Corridor4]]

you follow frederick out of the door and down to the end of the corridor you were just in. He unlocks another door and suddenly you're once more stood in the fresh air. "right this way" [[you follow Frederick down the road|churchstory4]]

Frederick leads you toward the park. You walk together in silence for 10 minutes or so, until coming to an incongruous-looking building in a stand of trees. It looks like the church from the photographs. Frederick smiles, and unlocks the door to the church. [[you enter|churchstory5]]

you look around the silent church. It's very peaceful and beautiful and strange. Light streams in through a window. Over in the corner a candle is burning. You wonder if Frederick lit it, or who else has a key, or whether it's always just been there. behind you is the [[door to the park|park]]

you are in the middle of Hyde park, 10 minutes walk from the MOOV-et offices. [[return to the MOOV-et lobby|Lobby]] [[go back inside the church|churchstory5]]

(if: (history:)'s length > 0)[(link: "↶")[(goto: (history:)'s last)]]

you pass Frederick the form [[343-G-2]] you picked up earlier. "thankyou, what a pleasure" [[you show yourself out|Corridor4]]

you tap the keys a few times and bring up a login screen. the username ANGEL is already in the bar, and you hazard a guess at 'password' for the password. [[press enter|workstation2]]

somewhere in Georgia a field full of beetroots is relocated 3 miles down the road, causing a small but not insignificant international incident. [[oh no.|Pod2]] (set: $beetroot to true)

oh, that's great. just great. fantastic actually. Just what I need. she squints at you. hm. I actually have a hugely important piece of paperwork to file. I've been working on it all morning, perhaps it's relevant to your investigation. Would you be able to take it to Leonardo on your way out? thank god. she doesn't suspect you [[sure! of course!|Opal4]]

the woman smiles sweetly and a little meanly. She scrawls intently onto a piece of paper marked [[FORM-OPAL-505A]] for a minute, and passes it to you. you smile politely and add it to your clipboard. [[best return to the office|Office1]]

<div class="form"> <b>FORM-OPAL-505A</b> to be submitted to LEONARDO MONSTRONI by FAKE GOVERNMENT LADY who SOMEHOW has an ACCESS BADGE <b>SECTION 1: ABOUT YOU</b> 1.1 Full Name of Applicant: OPAL ZANANI 1.2 Unique 16-digit MOOV-ET System ID (if known), should begin MVA003: MVA000-I-AM-PISSED 1.3 Applicant Department (if core personnel, leave blank): 1.4 Applicant Clearance Level: NOT HIGH ENOUGH IT WOULD SEEM 1.5 Applicant Line Manager (required for clearance level 4 or below): LEONARDO MONSTRONI //UNFORTUNATELY// 1.6 Budget code for MOOV-ET request: 1.7 Any additional information: LEAVE ME ALONE THIS TIME I'M SERIOUS LEONARDO AND STOP SENDING THESE NO BADGE WONKS OVER TO BOTHER ME THIS ONE'S NOT EVEN FROM GOVERNMENT SHE'S JUST SOME RANDO OFF THE STREET </div> [[maybe Mr Monstroni doesn't need to read this one|Opal4]]